Archive for January, 2009

Event Promotion: Tracking the Hidden Pixels

Before social media became prevalent, bands and promoters only had a few avenues for marketing their events and music releases to potential fans. You could either pay for newspaper ad space, wiggle your way into a radio DJ’s heart and pray for a radio announcement, or spend four nights out of the week trolling through parking lots and hanging out outside venues forcing handbills on every car and person that crossed your path. These were the days when building a mailing list was crucial, so any extra money was tipped out to the door girl with instructions for her to collect as many email address she could at the door (which she never did.) Forums had just reached their peak in popularity, but would never reach the amount of people that a mass flyering campaign would achieve.

I remember the dizziness that would come after looping from car window to car window, slapping the flyers under greasy, grimy windshield wipers. The smell of the stagnant exhaust fumes that collect inside parking garages will be with me forever. A gauge of success was based off of a 4am drive around the lots and venue exits to see how many of your flyers were left stuck to the concrete where the person or car was once parked. If 3000 flyers made it out, you could usually count on about 300 bodies at the event. If you were smart enough to tweak your flyer design and optimize placement (i.e. putting the flyer on the driver-side window instead of the windshield), you could push it up to a 20% rate of return. Regardless of the campaign’s success, the process felt more like a hazing for entrance into the world of music promotion.

Online Grassroots Marketing

For all of you that are starting your careers during the age of social media, login to your MySpace and give a little thanks to Tom for saving you from the carcinogenic fume tank they call the Bank of America parking garage.

Now that most bands and promoters have websites, social media profiles, and event listing sites at their disposal, getting bodies to the venue should be easier than ever, right? You have 5000 friends on MySpace. Surely all of them read your bulletin. And you were sure to embed that 1200×1200 pixel flyer in everyone’s comment section. Oh yea, that should get them to the show. Your event is also listed in page 4 of Saturday night’s listing on Do512 and Eventful. How could the party not be a rager? Not so fast, boy/girl wonder. How do you know if anyone even looked at your event information page?

For a successful grassroots marketing push, the key is all in the statistics. How many times was a web page loaded that contained your flyer or event information? How many times was your flyer clicked on, sending users to another page for more information? How many times did someone click on the “get tickets” link? Which sites are giving your event the most attention? What was your rate of return? Of the X amount of people that reviewed your listings, how many people actually came out to the show?

Tracking the Pixels

For the tech geeks out there, move along… nothing to see. But for the average user, you may not realize that there are ways to see the metrics outlined above. If you have embedded an image from your Photobucket or Flickr account into a MySpace page, bulletin, or comment, that image achieves 1 hit each time that MySpace bulletin or page is loaded. If you are smart, you linked the image to your website, Myspace page, or ticket vendor so users can click towards the details. However, since Photobucket and Flickr do publicly display the metrics associated with images, you have no idea how many times a flyer image was viewed.

If you have space on a hosting server for your website, always upload your flyer there and use the image URL to embed the flyer on 3rd party sites. When you visit the hits data for your website, you can see the number of hits by URL to see how many hits they image URL received.


In September 2008, this flyer achieved 1039 impressions

Tip: If you don’t have access to web server with hits data, find a image hosting side that provides you with statistical data.

Hidden Tracking Pixels

Say, for the sake of research, you wanted to know which sites are getting your information in front of the most people. In addition to your flyer, you can also upload and embed hidden images. For instance, if you placed an event listing at Do512.com, embed a black white image titled “EventName-Do512.jpg” somewhere among your description. For announcements through your MySpace bulletins, embed a blank white image titled “EventName-MySpace.jpg.” Once the campaigns have been launched, monitor your site’s traffic to see which hidden images achieved the highest hits. If you receive no traffic from certain sites, you should either modify your title or description to make it more enticing to readers, or stop wasting time on the site all together.

Hover your mouse over the box.
(Hidden Tracking Image )

If the text and border wasn’t around the tracking image above, you would never have know it was there. But, by checking the hits that this hidden image receives, I know that you were.

Tracking Clicks

Now that you can track the estimated amount of people that viewed your flyer online, you’ll also want to see how many of those people clicked the flyer to get more information (aka click-thru rates).

Since you don’t have access to 3rd party sites’ traffic information, there are resources available to track the number of clicks that URL’s receive. Sites like TinyURL allow you to convert a long URL into a shorter version, but my personal favorite, BudURL.com, will report back the number of times a URL was click. Accounts are free, and for an additional fee, BudURL will give you advanced metrics and graphs that will help analyze your clicks.

When associating a link to an image or, in the case where you do not use images, include links to your website or MySpace page, convert the link to a BudURL first. After you campaign has launched, login to your account to see the number of clicks the URL received.

HTML Codes for Embedding Images/Links

Embed and Image
<img src=”http://www.IMAGEURL.jpg“>

Embed and Image and Resize (Change X and Y to the legnth in pixels)
<img src=”http://www.IMAGEURL.jpg” height=”X” width=”Y“>

Embed a Linked Image
<A href=”BUDURL HERE“><img src=”http://www.IMAGEURL.jpg“></A>

Insert a Text Link
<A TARGET=”_blank” href=”BUDURL HERE“>TEXT TO SHOW</A>

Making Sense of the Numbers

Assuming that you have implemented these processes, how do you make sense of the results?

Most promoters estimate a 10% return on promotions. For every 1000 hits, 100 people will attend. This number can be much larger or smaller depending on which sites you are using. A hip-hop flyer on a country site may get 1000 hits, but only 1% of people will go to the show, while a hip-hop flyer on a hip-hop site may get 1000 hits and have 30% go to the show. Factors such as competing events, day of event, weather, and the economy can also make tracking return rates difficult. But, as time goes by, you’ll be able to compare the number of hits to your show headcounts to get a sense of your general rate of return.

After putting your information out on the web, monitor your hits and clicks. If you’re not achieving the traffic you need to consider the campaign a success, think about rewriting your description or adjusting the event title. Play around with multiple flyer designs and take note of the graphic style that attracts the most eyeballs to the listing. For Myspace bulletins, consider using a different tracking image for different times of the day to learn when it is the best time to post a bulletin. If you have tweaked as much as you can tweak and your hits are still low, use this to prompt the activation of your street team.

The most important tip of all: Do not hype up a show to be something that it is not. If you are going to exert all of this energy in order to grab people’s attention, be sure to follow it up with bad azz show that they’ll always remember. You want to grown your fan base, right?

And this concludes my 1400 word dissertation on tracking your event listing. Got questions? Then come on with it. They make comment boxes for a reason.

[cross posted at Earthbird Music]

Saturday, January 17th, 2009

Quincy Jones Petitions Obama For New Secretary of Arts Position

Source: SXSWLegendary musician/singer/composer/arranger Quincy Jones has started a petition to ask Present-Elect Obama to appoint a Secretary of the Arts. While many other countries have employed Ministers of Art or Culture for centuries, the US has never supported such a position. Jones, also known for his generous philanthropic activities, was recently name the keynote speaker for the 2009 SXSW music conference.

As disputes regarding copyright and royalties related to online music/tv/film distribution, industry failures, and the slow extintion of art and music programs in public school systems, a Secretary of Arts position would create the appropriate channels between government programs and the industry that has evolved out of its current business model.

Supporters are asked to lend their signatures to the official petition located at the Petition Online website.

Monday, January 12th, 2009

Twitter for Audio Engineers and Knob Twiddlers

(Cross-posted at Earthbirdmusic.com)

In  March of 2006, Jack Dorsey, Biz Stone, and Evan Williams launched a little short messaging site centered around one simple question: “What are you doing?” Nearly three years later, more than 2.3 million users log in and publish their answers to the world. Some people have registered for twitter and quickly got lost in the point, likely since they never spent time following the right people. Others, including myself, use the service fanatically and enjoy learning from a humble list of friends and followers.

A quick troll around the intertubes will yield a plethora of users documenting the reasons they find the service to be beneficial. As for me,  the giant “140″ above the message entry field says it all. There are no long, drawn-out emails from mailing lists; no oversize flyers from bulletin posts on MySpace, and no wordy articles from editors. Everything is summed up in 140 characters or less, with an occasional Tiny URL to click through to the full elaboration.

A few weeks back, Gerd Leonhard of MediaFuturists.com outlined 7 reasons why everyone in the music industry should try Twitter. Rather than create yet another echo chamber for the awesome points Leonhard presented, I encourage you to click over and give it a good read.  When you’re done, click through some of the other articles Leonhard referenced:

Can Twitter be used for Music Promotion?

Twitter is radically changing the way musicians are building communities of supportive fans around them. Are you still resisting it?

Not so fast, audio engineers! I know what you are thinking. What could twitter possibly do for me? Not only is Twitter a resource for self-promotion to potential clients, but a great networking tool for discovering others in the industry. If “what are you doing” is staying up all night trying to work out your new hardware’s latency issues, your audio engineering tweeps (twitter + peeps = tweeps) are only 140 characters away from help. If “what are you doing” is looking for a job, your music resource tweeps will likely dish up a multitude of 140-character tips and leads. If “what are you doing” is cleaning the modules of a 30-year old API consol, you likely have a slew of followers seeking to live vicariously through your journey.

Registration for Twitter is free, and there are tons of tools available to manage your updates outside of the Twitter.com domain.  For those of you with MySpace and Facebook accounts, do a app search for Twitter to stream your updates to your profile pages. After you have registered your account, follow some the music publications, audio engineers, and gear manufacturers that have already adopted the service. Did I leave someone out? Leave it in the comments section below:

Music Resources and Tipsters
New Music Strategies’ Andrew Dubber
Artist House
Composers Forum
Music Web Links
ProHipHop
Indielink
GetMusicJobs.com
JobFeeder’s Jobs in Film
ArtistsPaid.com
David Sherbow - musicbizrealitycheck.com
IndieBandManager.com
Derek Silvers of CDBaby/Muckwork
Sound Advice (voiceover industry)
David Rose - A technology and music business guy. Managing Editor at KnowTheMusicBiz.com
Music Technology -
Music technology news, audio production, multimedia, creativity, science, digital bits (and pieces)…
MusicThing -
You can’t buy talent, but you can try…
AudioThru: AudioThru, The Audio Blog.

Music Publications
Audio Throttle
FutureMusicTalk.com
John William Duke of SoundOps
Vibe
Rock Sound Magazine
Making Music
Spin
Origivation Mag
Terrorizer
URB
Prefix Mag
Billboard
Rolling Stone

Click here for newspapers that Twitter

Audio Engineers, Live Sound, Knob-twiddlers, and Studios
Charlie Guidry - Audio Engineer, Arlyn Studios; Studio Tech, Mediatech; Music Producer, Earthbird Music; Bassist, Spoiled Royals
Kristin Martin
- Interactive Designer, Producer of The VFX Show, fxphd prof, former producer Gear Media Tech
TaddyMan - GentlemensDynasty.com -
music based on an extensive base of recording industry experience.
The Audio Geek - producer, engineer, blogger
Swift Audio Ed - Musician and teacher of Audio, Music and ICT
Kinetic Media: Film Maker, Sound Designer
Tibbetts Sound: star wars(lucas) sound designer, bass/tablaist nutritional and entheogenic researcher, writer/inventor
Wizkid Sound: Atlanta-based recording studio
Nashua Sound Studios: Rockin da tape
Ian Shepherd: Clearly it’s not cool to have anything useful here. Having said that, music is my thing
Per Boysen:
freelance musician, writer, speaker, whatever… professional improviser, crossover crusader in search of the unplayed music
Rob Blatt: If you @robblatt me, I will follow you. I am an award winning engineer and producer and share my tweets At-No-ShA CC license.
Deane Ogden Music:
I maintain a dual existence as a film composer & session drummer in pop and rock radio. Rock ‘n Roll dreams come true. Yup.
Q-Burns (Abstract Message):
recording studio boffin, wanna-be music industry mogul, glamorized traveling jukebox, tropical blowhole of useless thoughts
Simon Howes: a sound engineer
Jacob Carscadden: audio engineer
Brian Stephens: Drummer, Producer, Music Educator, & Podcaster
Andrew Bartek:
Recording/Mix Engineer, Music Business 2.0 Aficionado, Hip-Hop Connoisseur
Russ (ArbieNation): 
Well… I’m a music producer & audio engineer. I’m a very unique individual who tends to stand out from the crowd. I love life (most of the time).
Mike Mayer: hi
Will Thompson:
audio engineer, musician, iphone app guy, international espionage, etc…
Foster Hagey: engineer
Nasir Barday:
User Experience Designer, Music Producer, Audio and Recording Engineer, Gothamist, Quirky sumbitch
Dan The Man:
Audio Engineer, D.J., fashion junky, sneaker head
Damien Lee Benolt: 337 Studios
Ken McGuire: Designs for the web. Promotes music. Runs a theater company. Plays many instruments. Takes photos. Spends too much time online.
John Evans: StudioRecords.net
Modern English: Lover of talented musical and inspirational people. Nerdy about technological bits and bobs
Gr8force: Dabbles with live sound in Austin, TX
Ricky Osborne: Live sound instructor
Dream Sound: Musician and webmaster of DigitalMusicians.net. I live for recording, music, drums, guitar, bass and addicted to vdrums
HotSound: Guy that likes to be a “soundman” running live sound and doing recordings
John Melton: FOH Audio Engineer @ The Lift, Christ Follower, Business Owner
TurnTableLab: LA
Andrew Ward (DeejayFunk): Deejay, Producer, Soundtrack Composer, Lover, Fighter, Closet Romantic
The 808 Studio:
beatz + recording
Blue Vibe Studio:
Beats from the BVS, keepin it deep wiv a family vibe
ArbieNation:
I’m a music producer & audio engineer. I’m a very unique individual who tends to stand out from the crowd. I love life (most of the time). Follow me
ce54r: Audio Engineer*Sound Designer*Composer*Musician - MySpace.com/ce54r
Eplatero: I’m the founder of Digital One Solutions, and DP at RedCat Film. When the internet is off, I play in the band, reel.

Instruments and Gear
Waves Audio: Waves is the world’s leading provider of digital audio signal processing technologies.
Key To Sound: We make software synths
Lauten Audio: Tweets from the founder of Lauten Audio, Original, Empowering, Microphones
Seismic Audio: Changing the Way Musicians Buy Their Gear
Vintage Guitars: Classic vintage guitars
Audio Gear Deals: Pimping music and audio gear deals for the masses
Guitar Sherpa: We’re a directory of all things stringed instrument.
Protools Audio Rental: Po audio rentals, Los Angeles, Hollywood

Sunday, January 4th, 2009